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Postcards on the Edge

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  • Urban Re-Development



    By FERNANDA SANTOS

    PHOENIX — Hussein Al Hamka is going to farm his famous cucumbers on a 15-acre vacant lot in the heart of this city, where nearly half of all lots sit empty and unused.

    If his piece of fertilized dirt had a price tag, it would cost much more than he could ever dream of affording; the lot is valued at $25 million, or at least it was before the housing market collapsed and it was left undeveloped. To survive, Mr. Hamka, 50, an Iraqi refugee three years into his life in the United States, grows and sells cucumbers just like the ones he ate in his home country.

    On Friday, Fidele Komezusenge, 25, a refugee from the Democratic Republic of Congo, picked rocks from the loose soil in the raised beds next to Mr. Hamka’s. Mr. Komezusenge was planning to plant carrot and cabbage seeds, his first farming foray since arriving in the United States in June. Nearby, Safala Chhetri, 50, a refugee from Bhutan who arrived in 2009, wavered between planting spinach or kale, but then decided to give onions a second chance.

    “I planted them on my backyard last year, but they didn’t do so great,” Ms. Chhetri said.

    The refugees are accidental farmers in an unlikely urban field that is part of an ambitious plan to transform vacant land. The lot sits on one of the busiest corners of this expansive city, across from an English pub, near a light-rail stop and in sight of the glimmering high rises that punctuate downtown.

    In Detroit or Buffalo, empty lots are ubiquitous reminders of what once was, places where buildings stood until they were abandoned during rough times that still endure. Here, the lots are a sign of what could be — promise and eyesore wrapped together in undeveloped slices of weeds and packed dirt.

    In his inaugural speech in January, Mayor Greg Stanton spoke about the fields as empty canvases “filled with opportunities.” Last Monday, he broke ground on the lot where the refugees were working on Friday. Soon, shady trees and murals painted by local artists will color the barren landscape. Food trucks will operate there someday, Mr. Stanton said in an interview, and there will be plenty of space for children to play and adults to socialize.

    “We want to change the conversation about vacant lots in the city,” Mr. Stanton said.

    The land came into the city’s hands at no cost, at the end of a three-way land swap involving the federal government and a private developer. It used to be part of a bigger lot that held a boarding school for American Indian children from reservations across the Southwest, who were indoctrinated into Euro-American values. Some of the buildings still stand in the adjacent Steele Indian School Park.

    The Bureau of Indian Affairs, the lot’s former owner, traded it with a developer, the Barron Collier Companies, for a piece of swampland in Florida. The city then gave the developer a different plot downtown in exchange for the area that houses the park. The remaining 15 acres stayed in Barron Collier’s hands. A few months ago, Mr. Stanton asked if the city could use the remaining land — for three years, but “maybe longer,” if in three years the developer still had no plans for it. The developer agreed.

    The project is simple. Mr. Stanton said his goal was to create “not a Taj Mahal, but something replicable,” fit for lots of all sizes, in spots of high visibility and in hidden corners of poor neighborhoods.

    The lot stands at the intersection of Indian School Road and Central Avenue, which slices Phoenix from north to south and from where the refugees’ crops will eventually be visible. Seven families have prepared half an acre of land for planting. Timothy Olorunfemi, the farm program coordinator in Phoenix for the International Rescue Committee, a refugee resettlement agency, said that 80 families would soon be working on two acres of land.

    The first farming season runs through February or March; leafy greens, onions and root vegetables are among its main crops. Summer crops include melons, eggplants, tomatoes and, for Mr. Hamka, his cucumbers.

    Mr. Hamka was a mechanic for the Iraqi Army, but he learned to farm from his parents, who grew wheat, barley and other grains on the family farm near Kurdistan. When he left Iraq for a refugee camp in Syria, he carried some cucumber seeds, which he then brought to Phoenix, where he planted them. The cucumbers they yield are a lighter shade of green than the cucumbers found in the supermarket here, and they have a smoother skin and a sweeter taste. He sells them in Arabic markets in Phoenix and San Diego, where they are known as “Al Hamka cucumbers.”

    Ms. Chhetri, who has a degree in history, also learned to farm from her parents. She said she pays her mortgage here with the money she makes by selling the vegetables she grows in her backyard.

    Mr. Komezusenge is an agronomist and worked for the Congolese Ministry of Agriculture before he escaped to a refugee camp in Rwanda and, from there, to the United States. When he got to Phoenix, he said: “I was surprised. The area is very different from Africa. Africa is very green. Maybe no agriculture here.”

    But he said he was again surprised when he spotted leaves sprouting from a neighbor’s garden, a sight that taught him that “the land can feed you anywhere, even in the desert.”


    http://www.nytimes.com/2012/11/27/us...gewanted=print

    Comment


    • Art as Antidote


      The artist Chuck Close giving a private tour of his show to students from Bridgeport, Conn.


      By PATRICIA COHEN

      Stationed in front of one of his large self-portraits, the artist Chuck Close raised his customized wheelchair to balance on two wheels, seeming to defy the laws of gravity.

      The chair’s unlikely gymnastics underlined the points that Mr. Close was making to his audience, 40 seventh and eighth graders from Bridgeport, Conn.: Break the rules and use limitations to your advantage.

      The message had particular resonance for these students, and a few educators and parents, who had come by bus on Monday from Roosevelt School to the Pace Gallery in Chelsea for a private tour of Mr. Close’s show. Roosevelt, located in a community with high unemployment and crushing poverty, recently had one of the worst records of any school in the state, with 80 percent of its seventh graders testing below grade level in reading and math.

      Saved from closure by a committed band of parents, the school was one of eight around the country chosen last year to participate in Turnaround Arts, a new federally sponsored public-and-private experiment that puts the arts at the center of the curriculum. Arranging for extra funds for supplies and instruments, teacher training, partnerships with cultural organizations and high-profile mentors like Mr. Close, Turnaround is trying to use the arts to raise academic performance across the board. “Art saved my life,” Mr. Close told the children. And he believes it can save the lives of others, too.


      Vrithik Raj Guthkonda, 13, foreground, and classmates listened to Chuck Close at the Pace Gallery in Chelsea on Monday. Forty seventh and eighth graders from Roosevelt School in Bridgeport, Conn., were given a pizza party and a private tour of Mr. Close's show.


      So now he was giving a pizza party and answering a question about why he started to paint.

      “I wanted people to notice me, not that I couldn’t remember their faces or add or subtract,” he said, referring to the learning and neurological disabilities that set him apart from his classmates when he was growing up in Monroe, Wash.

      A terrible writer and test-taker, Mr. Close used art to make it through school. Instead of handing in a paper, he told the children, “I made a 20-foot-long mural of the Lewis and Clark trail.”

      Starting in Pace’s large central gallery, where his giant portraits of other artists like Philip Glass, Paul Simon and Laurie Anderson looked on, Mr. Close told the group that “everything about my work is driven by my learning disabilities.”

      Born with prosopagnosia, a condition that prevents him from recognizing faces, Mr. Close explained that the only way he can remember a face is by breaking it down into small “bite-sized” pieces, like the tiny squares or circles of color that make up his paintings and prints.

      “I figured out what I had left and I tried to make it work for me,” he said. “Limitations are important.”

      With Mr. Close were a few other members of the President’s Committee on the Arts and the Humanities, which helped develop the Turnaround program. One of them, Damian Woetzel, a former principal dancer with the New York City Ballet who is a mentor to two other Turnaround schools, picked up on his theme.

      “In dance we limit ourselves, as well,” he said. “There are five positions and everything comes from that,” he added, quickly demonstrating the basic ballet poses.

      Filling out the cultural spectrum were the Broadway producer Margo Lion, a chairwoman of the committee, and the musicians Cristina Pato, Shane Shanahan and Kojiro Umezaki, all members of the Silk Road Ensemble, an international collaboration founded by the cellist Yo-Yo Ma, who is also a committee member and a mentor. One by one, they entered from different doors, startling the students with an impromptu concert featuring a tambourine, a gaita (a Spanish bagpipe) and a Chinese flute.

      Clapping and stamping in time to the music, Mr. Woetzel soon turned the gallery’s open space into a dance floor. A couple of students whipped out phones to record the proceedings, while others raced across the room to avoid getting pulled in as participants. One reluctant dancer, captured by Rachel Goslins, a filmmaker and the executive director of the president’s committee, rolled his eyes and mouthed “Oh my God” as she circled him around the floor. Other students joined hands and began dancing as Ms. Lion and the school principal, Tania Kelley, her head flung back, swung each other around.


      Kojiro Umezaki, a member of the Silk Road Ensemble, joined other musicians, a dancer and a Broadway producer at the event.


      Mr. Close swerved through the crowd in his wheelchair.

      “I never danced before,” Carolyn Smith, 13, said excitedly when the music stopped. “Usually I sing.” Carolyn was the lead in the school’s production of “The Wiz” last year. A brain tumor had caused her to miss so much school that her literacy teacher initially wanted her to turn down the part and focus on catching up, Ms. Goslins said. But being in the play — and reading and memorizing the script — helped her reading skills so much, Ms. Goslins said, that the literacy coach later told her, “I’m a believer.”

      The afternoon offered a series of firsts for many of the students. Most had never seen such instruments, heard of Mr. Simon or Mr. Glass, or even visited Manhattan.

      “It’s pretty cool to be in New York,” said David Morales, 14, who later asked Mr. Close about his technique, explaining, “I like how he makes it, how it comes all together.”

      David, like the other Roosevelt students, had studied Mr. Close’s work in class and met him when he visited the school last month. So Mr. Close patiently answered questions.

      “Is it easy to make these pictures?” (Well, it can take a while, Mr. Close replied.)

      “How do you know what colors to use?” (Trial and error.)

      “Can you draw? (Yes.)

      “There is no artist who enjoys what he does every day more than I do,” Mr. Close told the group, setting off applause from the students. Repeating advice he often gives to young artists, he said: “Inspiration is for amateurs. The rest of us just show up for work.”

      When the bus arrived for the return trip, Ms. Pato and Mr. Shanahan again took up their instruments, this time to lead a parade of clapping students and teachers out the door.

      Carolyn Smith, a pink rose in her hair, paused at the doorway and turned to Mr. Close. “I had a blast,” she called out. “Bye, Chuck. See you later.”


      http://www.nytimes.com/2012/12/19/ar...tml?ref=design

      Comment


      • Re: Postcards on the Edge

        Originally posted by Chris Coles View Post
        What everyone has to learn to understand is that we have destroyed the old business model of a small local business that brings in sufficient income to enable a good life; for a new business model where everything is manufactured in Asia at the lowest possible cost and sold here for the highest possible cost; by a very small number of sales outlets.
        Today, because we no longer operate that old fashioned model, there is insufficient prosperity, spare cash money, floating around the economy; that used to pay for the good life.

        A very good example came to me recently with the TV show about the life of the motor racing star Sir Jackie Stewart. His childhood was as the son of a small petrol station and garage owner. The sort with four pumps outside and a workshop to make average repairs to cars, set up close to a small town. Yet, looking at the pictures of the garage and then looking at the way he could afford to do things with his life; their standard of living as a family was way above anything attainable today.

        Our BIG problem is the long term loss of prosperity; spare cash float if you like, outside of the existing FIRE economy; that is needed to pay for all the many millions of new small business owners that must set up to become the longer term employers of the rest of the population.

        The challenge is to find an effective method for replacing that prosperity.
        Those same corporate outlets suck the cash out of the small towns and cities and remove the middle class base of many of those formerly prosperous (not rich) communities that used to be filled with small business.

        Comment


        • Re: Postcards on the Edge

          Originally posted by don View Post
          There's a misconception that large corporations are inherently anti-regulations. The more costly regulations often act as an insurmountable barrier to new competition, with start-up ideas stillborn on the back of the napkin.
          Also, despite the cost of providing health insurance many large corporations are against single payer government funded plans because again it discourages employees from leaving and starting up small competitors and/or making it harder to keep employees if they do not rely on their employer for healthcare benefits.

          Comment


          • Re: Postcards on the Edge

            Originally posted by TBBNF View Post
            Also, despite the cost of providing health insurance many large corporations are against single payer government funded plans because again it discourages employees from leaving and starting up small competitors and/or making it harder to keep employees if they do not rely on their employer for healthcare benefits.
            and worse yet - causes those of us who have been - until just recently - successfully self-employed/independent - to being priced out of med insurance (due to the immed effects of obamacare and who knows what future unintended consequences) and forcing us to consider giving up our independence and having to go to work for 'the man' just to prevent being bankrupted by effects of the 'affordable care act' (which caused my med premiums to go from 4200 in 2009, to 6000 in 2013) - yep, methinks the rage against the corporate machine has only begun...

            Comment


            • Re: Postcards on the Edge

              Originally posted by lektrode View Post
              and worse yet - causes those of us who have been - until just recently - successfully self-employed/independent - to being priced out of med insurance (due to the immed effects of obamacare and who knows what future unintended consequences) and forcing us to consider giving up our independence and having to go to work for 'the man' just to prevent being bankrupted by effects of the 'affordable care act' (which caused my med premiums to go from 4200 in 2009, to 6000 in 2013) - yep, methinks the rage against the corporate machine has only begun...
              What is the source of your information on which you base the assertion that obamacare caused all or most of that increase in your health insurance?

              Of the 10% annual increase this represents, none of it is due to the historical average of 3-4% annual increase? None if it is a result of you getting older?

              Don't get me wrong - obamacare does nothing to fix the hugely broken and outrageously expensive US health care system. I'm sure reasonable arguments can be made that it might even make some things worse. But I think its mostly BS for you to attribute your need to work for the man to Obamacare.



              This btw is an interesting link. I don't think that it argues for or against your point, but I thought it worth sharing in any case.
              http://ycharts.com/indicators/us_hea...inflation_rate

              Comment


              • Re: Postcards on the Edge

                Originally posted by leegs View Post
                What is the source of your information on which you base the assertion that obamacare caused all or most of that increase in your health insurance?
                you mean other than the bill going up from 4200 to 6000/year in 4 years?
                not perhaps coincidently/concurrently with passage of the 'affordable care act' ?
                and you dont suppose, mr leegs, that the providers/insurers havent been jacking up the rates to get out in front of whats coming?

                or that once REAL INFLATION gets going, that the rates wont go shooting up even faster, due to the 'affordable care act' ?

                Of the 10% annual increase this represents, none of it is due to the historical average of 3-4% annual increase? None if it is a result of you getting older?

                assuming that you actually believe that the US Inflation Rate is 'only 2.00%' ?
                and sure, some of its the step increases to due to my age (54) - but i happen to think its due more to legislated mandates, and the CYA effect of everything from the failure to rein in the tort bar to over-utilization by certain types of subscribers.

                that i attribute purely to the policies of a certain political party and their use of the treasury to buy votes

                Don't get me wrong - obamacare does nothing to fix the hugely broken and outrageously expensive US health care system. I'm sure reasonable arguments can be made that it might even make some things worse. But I think its mostly BS for you to attribute your need to work for the man to Obamacare.
                well ya got me on that part, mr leegs - the other cause i would attribute my falloff in income is due to the actions of
                a certain group of political hacks, mostly in the northeast and the effects their policies are causing.



                This btw is an interesting link. I don't think that it argues for or against your point, but I thought it worth sharing in any case.
                http://ycharts.com/indicators/us_hea...inflation_rate
                not sure if they are saying that medical services or insurance rates are going up 3-4% a month?
                but it sure is feeling that way.

                and hows that one go about perception is reality?

                Comment


                • Re: Postcards on the Edge

                  Health insurance inflation rate, direct from the BLS:









                  Health insurance inflation rate, BLS vs private source (Kaiser with cms.gov):









                  Total medical care, BLS vs. Kaiser with cms.gov - showing annual change rates only.

                  http://www.NowAndTheFuture.com

                  Comment


                  • Re: Postcards on the Edge

                    Originally posted by bart View Post
                    Health insurance inflation rate, direct from the BLS:
                    ok mr bart - thanks - but, being the somewhat graphic-interpretively-challenged (? and linguistical-euphemistically-challanged ;)

                    dunno whether your very fine charts are helping or challenging my position?
                    altho my recollection of our prev discussion has me thinking its helping....

                    Comment


                    • Re: Postcards on the Edge

                      Originally posted by lektrode View Post
                      ok mr bart - thanks - but, being the somewhat graphic-interpretively-challenged (? and linguistical-euphemistically-challanged ;)

                      dunno whether your very fine charts are helping or challenging my position?
                      altho my recollection of our prev discussion has me thinking its helping....

                      Bottom line, they're defending your position and experience. Sorry, time crunched as usual and explanations suffer.


                      Chart 1 - even the BLS shows that health insurance is up 10-15% just this year. Obamacare is very much a factor.

                      Chart 2 - shows that health insurance inflation is severely understated by the BLS. The BLS health insurance index went from 96 to 121 since 2005, while the Kaiser/CMS measure went from 95 to about 157. The BLS rate grew about 30% less than the Kaiser/CMS one.


                      Chart 3 is the whopper. To make a long story short, the BLS has understated total medical care and its inflation rate by an average of 2.7% per year since 1967.
                      http://www.NowAndTheFuture.com

                      Comment


                      • Re: Postcards on the Edge

                        Comment


                        • Re: Postcards on the Edge



                          The pink bulletproof rucksack that 5-year-old Jaliyah wears to school every day reaches almost down to her knees and weighs 3lbs even when empty, but for her Colorado father, the size and solidity are part of the attraction.

                          "If you put it on her back, it almost covers her whole body," explains Demitric Boykin. "It was a very hard conversation to have but she knows that it's something that will keep her safe."

                          Lined with ballistic material that can stop a 9mm bullet travelling at 400 metres per second, the backpack is only one of a clutch of new products making their way into US schools in the wake of Newtown school massacre.

                          Comment


                          • Re: Postcards on the Edge

                            Sell the disease AND sell the cure.
                            Good money if you can live with yourself.

                            Comment


                            • Re: Postcards on the Edge

                              Originally posted by thriftyandboringinohio View Post
                              Sell the disease AND sell the cure.
                              Good money if you can live with yourself.
                              always be closing . . .

                              Comment


                              • Re: Postcards on the Edge

                                Originally posted by don View Post


                                The pink bulletproof rucksack that 5-year-old Jaliyah wears to school every day reaches almost down to her knees and weighs 3lbs even when empty, but for her Colorado father, the size and solidity are part of the attraction.

                                "If you put it on her back, it almost covers her whole body," explains Demitric Boykin. "It was a very hard conversation to have but she knows that it's something that will keep her safe."

                                Lined with ballistic material that can stop a 9mm bullet travelling at 400 metres per second, the backpack is only one of a clutch of new products making their way into US schools in the wake of Newtown school massacre.
                                What a terrible product.

                                The sale of fear.......

                                A slightly better and more relevant product might be kids clothing that automatically inflates when kids fall into a pool of water before they drown.....and I reckon that would be a bit silly as well.

                                Comment

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