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  • an era fades away....

    dunno if anybody caught this one over the weekend?

    http://online.wsj.com/article/APc00c...f7397ebc3.html

    5-time Oscar-winner composer John Barry dies at 77


    • JANUARY 31, 2011, 12:32 P.M. Edt




    LONDON — Five-time Oscar-winning composer John Barry, who wrote music for a dozen James Bond films, including "You Only Live Twice" and "Goldfinger" but couldn't persuade a jury that he composed the suave spy's theme music, has died. He was 77.
    Barry died in New York, where he had lived for some time, on Sunday, his family said. The family did not release the cause of death.

    Though his work on the Bond films is among his most famous, the English-born composer wrote a long list of scores, including for "Midnight Cowboy," ''Dances with Wolves" and "Body Heat." He was proud of writing both for big action blockbusters and smaller films.

    He won two Oscars for "Born Free" in 1966, for best score and best song. He also earned statuettes for the scores to "The Lion in Winter" (1968), "Out of Africa" (1985) and "Dances with Wolves" (1990).
    His association with Agent 007 began with "Dr. No" in 1962, although his contribution to that film was not credited and is in dispute.

    Monty Norman, who was credited as the composer for "Dr. No," sued The Sunday Times in 2001 for reporting that Barry had composed the theme, working from scraps of Norman's work. Norman won the case, collecting 30,000 pounds ($48,000).
    Barry testified that he was paid 250 pounds to work on the theme music, developing the guitar line from part of Norman's song "Bad Sign, Good Sign," but agreed that Norman would get the credit. He was asked whether Norman wrote the theme and responded "absolutely not."

    In later years, Barry limited his comment on the case to saying, "If I didn't write it, why did they ask me to do the other ones?"
    He subsequently wrote music for "Goldfinger," ''From Russia with Love," ''Thunderball," ''You Only Live Twice," ''On Her Majesty's Secret Service," ''Diamonds are Forever," ''The Man with the Golden Gun," ''Moonraker," ''Octopussy," ''A View to a Kill" and "The Living Daylights."

    Born John Barry Prendergast, he recalled growing up "exposed to the fantasy life of Hollywood" at the eight theaters his father owned in Northern England.

    "Rather than talkie-talkie movies, I liked films with excitement and adventure, because they were the ones that had the music," Barry said in an interview with The Guardian newspaper in 1999.
    "It was nice to have the very commercial Bondian thing ... and then at the same time have these smaller movies which were artistically more interesting to do," he said.

    Other films included "Robin and Marian," ''Somewhere in Time," ''The Cotton Club," ''Peggy Sue Got Married" and "Howard the Duck." He was also nominated for Oscars for his scores of "Mary, Queen of Scots" in 1971 and "Chaplin" in 1992.
    Barry trained as a pianist, studied counterpoint with York cathedral organist Francis Jackson, and later took up the trumpet. He founded a jazz group, the John Barry Seven, in 1957.

    The group teamed with singer Adam Faith, scoring hits with "What Do You Want?" and "Poor Me," and Barry moved into film work when Faith was tapped to star in "Beat Girl" (titled "Living for Kicks" in the United States).

    "The James Bond movies came because we were successful in the pop music world, with a couple of big instrumental hits. They thought I knew how to write instrumental hit music," Barry said in an interview with The Associated Press in 1991.
    In an interview in 2008 with The Irish Times, Barry said his success "was not that difficult."

    "If you hit the right formula, if you have an instinct for music, if you apply it, if you have the good fortune to meet with certain people who teach you well ... I didn't find it all that difficult," he said.

    Barry was divorced three times. He is survived by his wife Laurie, his four children and five grandchildren. A private funeral was planned, the family said.

    —Copyright 2011 Associated Press

  • #2
    Re: an era fades away....

    The fringe benefits for writing the Bond music must have been sweet. Very sweet ....

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    • #3
      Re: an era fades away....

      To my mind the best were sung by Shirley Bassey. http://www.dameshirleybassey.com/

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      • #4
        Re: an era fades away....

        Originally posted by Chris Coles View Post
        To my mind the best were sung by Shirley Bassey. http://www.dameshirleybassey.com/
        Couldn't agree more, led by the way she simply rips Goldfinger into shreds.




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        • #5
          Re: an era fades away....

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          • #6
            Re: an era fades away....

            Originally posted by don View Post
            Couldn't agree more, led by the way she simply rips Goldfinger into shreds.




            Hey, should, indeed; could; this make the perfect signature tune for EJ?

            Goldfinger.

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            • #7
              Re: an era fades away....

              Originally posted by Chris Coles View Post
              Hey, should, indeed; could; this make the perfect signature tune for EJ?

              Goldfinger.
              itulip's old school song

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              • #8
                Re: an era fades away....

                Originally posted by don View Post
                itulip's old school song
                maybe it's old, but still the best or as its said out this way: No ka oi

                some other ideas?

                5 Steely Dan
                Your Gold Teeth
                Awesome jazz/rock fusion typical of Steely Dan
                4Kanye West
                Gold Digger
                Cool beat and humorous lyrics
                3Beatles
                Golden Slumbers
                Helped to close Abbey Road
                2America
                Sister Golden Hair
                A buoyant tune with memorable lead guitar
                1Neil Young
                Heart of Gold
                (live)
                A soft, acoustic masterpiece


                The Tremeloes - Silence Is Golden
                Amy Winehouse - Fool's Gold
                The Saturdays - Golden Rules
                Sam Sparro - Black & Gold
                Siobhan Donaghy - Goldfish
                Saint Etienne - Everything I Touch Turns To Gold
                Rogue Traders - Golden
                The Stranglers - Golden Brown
                The Stone Roses - Fools Gold
                Chestnut - Pot Of Gold
                Tina Turner - Goldeneye
                Lulu - The Man With The Golden Gun
                Beyoncé - Hey Goldmember
                Shirley Bassey - Goldfinger
                Beverley Knight - Gold
                Kanye West - Gold Digger
                Kaleef - Golden Brown
                Dragonette - Gold Rush
                Monrose - Golden
                Frank - If The Devil's Got Your Gold
                Alisha's Attic - The Golden Rule
                Vanessa Paradis - Silver & Gold
                Silvia Night - Goldmine
                Juliet - Pot Of Gold
                Garbage - Silence Is Golden
                Gunther - Golddiggers
                Kelly Lorrenna - Heart Of Gold
                Eva Cassidy - Fields Of Gold
                Melody Club - Golden Days
                Wilson Phillips - Ooh, You're Gold
                Sheryl Crow - Gold Dust Woman
                East 17 - Gold
                Roxette - Heart Of Gold
                Tiga - Good As Gold
                Billie - Caress The Gold

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                • #9
                  Re: an era fades away....

                  The Classic . . .





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                  • #10
                    Re: an era fades away....

                    Now, in a very real sense, a wonderful choice. Raw talent, no electronic enhancements, or rings in her nose or lip; just a fine voice and a nice girl.

                    So only one problem with the tune; not everyone here on iTulip ..... is in the money.

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                    • #11
                      Re: an era fades away....

                      As per 1933

                      (this movie was noteworthy, among other things, for giving the generous face-time to the chorines in this number)

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